Metadata
WORK ID: NEFA 19849 (Master Record)
Title | Year | Date |
IN WINTER'S ICY GRIP (JESMOND IN SNOW) | 1926-1939 | 1938-01-01 |
Details
Original Format: 16mm Colour: Black & White / Colour Sound: Silent Duration: 15 mins 49 secs Credits: Dr H. Benton Porteous Genre: Home Movie Subject: Wartime Urban Life Transport Family Life |
Summary Home movie compilation by Dr H. Brenton Porteous that captures winter scenes in Newcastle and surrounding countryside; biplanes and monoplanes at Woolsington airfield; Beadnell bay and harbour; High Force waterfall on the River Tees, and the building of an air raid shelter at Osborne Road, Jesmond, Newcastle, the home of Dr Porteous, and now the si ... |
Description
Home movie compilation by Dr H. Brenton Porteous that captures winter scenes in Newcastle and surrounding countryside; biplanes and monoplanes at Woolsington airfield; Beadnell bay and harbour; High Force waterfall on the River Tees, and the building of an air raid shelter at Osborne Road, Jesmond, Newcastle, the home of Dr Porteous, and now the site of Whites Hotel. Also included are shots at the wedding of Dr H. B. Porteous (the filmmaker) and Dr Winifred Ormerod in 1926, with good examples...
Home movie compilation by Dr H. Brenton Porteous that captures winter scenes in Newcastle and surrounding countryside; biplanes and monoplanes at Woolsington airfield; Beadnell bay and harbour; High Force waterfall on the River Tees, and the building of an air raid shelter at Osborne Road, Jesmond, Newcastle, the home of Dr Porteous, and now the site of Whites Hotel. Also included are shots at the wedding of Dr H. B. Porteous (the filmmaker) and Dr Winifred Ormerod in 1926, with good examples of 1920s bridal wear.
[Please note that the filmmaker used several different non-standard camera speeds to shoot this film. Consequently, a few short sequences will appear to be running a little fast, including the first snowy scenes in Newcastle.]
Title: In Winter's Icy Grip
[Colour:]
The film's opening sequence captures scenes around Newcastle in winter with heavy snowfall on the streets.
View down snow covered tree-lined street.
Brief view down residential street, a woman walks with another pushing a pram through the snow.
Cars and a horse-drawn coal cart drive past near Armstrong Bridge. A horse-drawn cart is delivering coal down a residential street.
A point of view travelling shot follows of a road in the Jesmond area of Newcastle under snow. A flower seller walks by balancing a basket of flowers on her head. A woman shovels snow away from the pavement outside her house, a child beside her looking to camera. There are various shots of gardens under snow.
View down Great North Road in the snow, with horse-drawn coal cart amongst other motor vehicles, including a bus. Next, a tractor (or snow plough?) tries to pull a coal cart along in the traffic, closely followed by cars. Beside the road, a man manoeuvres an unhitched coal cart, a horse standing nearby.
Brief shot of colourful flower stall.
Next, there are various shots of snow covered countryside near Newcastle. A man cuts holly from a hedgerow on a country lane. His daughter and young son pick up the clippings from the road, a car parked at the roadside. The film cuts to a shot of a signpost pointing to "Old Horton Grange, Make-Em-Rich, Horton Grange, Stannerton, Berwick Hill, Ponteland". Two cars are parked kerbside down a country road. There is a close shot of the children looking through the rear window of the car as it drives off down the road.
In the next scenes, there are various shots of the wintry landscape around and on Woolsington airfield (before becoming Newcastle Airport), some taken at sunset. A plane taxis on the snow covered airfield. Various shots record the take-offs, taxiing, and flight of biplanes and monoplanes at the airfield.
Title: Spring Snapshots (1938)
[Colour:]
Various shots record flowers, daffodils beside the Great North Road, lambs, and woodland during springtime.
The scene cuts to Beadnell Bay, with views across a beach with people scattered here and there, low lying cliffs in the background.
A man and two women pass along a track leading from the bay, the women dressed in dark clothing clutching their hats in the wind.
View across Beadnell harbour, two people walking back towards land along the breakwater, waves crashing against pier. Small fishing boats are moored in the harbour in a stormy sea.
Next, there are various shots of High Force waterfall on the River Tees, near Middleton-in-Tees, the river, and a high angle view of a group of people beside the pool.
Title: Farewell Wanderer
[Black & white:]
Long shot from the cliffs at Beadnell of the Wanderer sailing boat belonging to Major Herbert Edgar Burton at sea.
A young boy walks toward Beadnell village.
Title: Building Air Raid Shelter 1939
This sequence records the construction of a personal air raid shelter in the back garden of 38 Osborne Road, Jesmond, home of Dr Porteous. Two men, assisted by Dr Porteous (?), dig a foundation hole in the garden, and the stages in building the shelter are shown. The doctor's son, Ian, picks flowers growing on the mound on top of the finished shelter.
Title: Flashback to 1926
At the wedding of Dr H. B. Porteous (the film-maker) and Dr Winifred Ormerod, the bride, groom, and family pose for a group portrait, with bride and bridesmaid wearing white lace outfits, carrying bouquets. The decorated wedding car drives away down a street with tramlines visible. A close-up of the rear of the car focuses on the decoration and hand-drawn poster of two entwined hearts. The bride and groom pose for the camera, and there is another group shot with a close-up of a very young girl in bonnet.
Context
This is a film made by Dr. H. Benton Porteous. The archive holds a number of films created by him, also home movies. They focus on family trips to places like Cornwall. There are also movies of his son, Ian, in which one focuses on how he had grown up from 6 weeks to 3 years old. These movies are extremely personal and allow us insight to what Dr H. Benton’s life was like and how important his family was to him. Furthermore, he also created films which featured close family friends. For...
This is a film made by Dr. H. Benton Porteous. The archive holds a number of films created by him, also home movies. They focus on family trips to places like Cornwall. There are also movies of his son, Ian, in which one focuses on how he had grown up from 6 weeks to 3 years old. These movies are extremely personal and allow us insight to what Dr H. Benton’s life was like and how important his family was to him. Furthermore, he also created films which featured close family friends. For example, he filmed the wedding of his friend, Dr Harry Wilson.
However, this film in particular makes use of flashbacks and old footage from 1926 and the spring of 1938 as well as the winter of 1939. The film starts with 1939. This was an important year with the invasion of Poland, setting in motion the second World War. As shown later in the film, Porteous also includes footage of him, a friend and his son digging an air raid shelter, possibly an Anderson shelter. These shelters were distributed among the British public in case of an air attack from the Axis powers in light of the current tension in Europe. Households were also provided gas masks in preparation. London is perhaps the most recognised in terms of the damage caused by the Blitz and the evacuation of children to rural areas. However, all major cities were at risk with the Blitz causing damage to the North as well as the South with Newcastle, Hull and Sheffield being targeted. The winter of 1939 was one of the worst Britain had experienced in history. Porteous’ footage how the people of Jesmond carried on with life despite the looming threat of war and nature. The film then shows the spring of 1938, showing a number of different places the family visited. For instance, it includes Beadnell Bay, an area that was known for its fishing but then became a tourist hotspot. In addition, it also includes the High Tide waterfall. Both are renowned for their heritage and history. Porteous uses the beauty of nature and heritage in the spring of 1938 and uses it to contrast the severity of nature in 1939. The film goes back to 1939 before going further back to 1926. This footage is much more personal as it records Porteous’ wedding day. The 1920s was a prosperous time for England with the first World War ending in a victory and the economy growing. Fashion was also greatly changing and the bride’s clothing illustrate this. Bridal dresses were shorter and hair accessories became more popular. The 1920s were the calm before the storm that would be the Wall Street Crash. This is why this film is so interesting. H. Porteous did more than document the harsh winter of 1939 and his personal experiences but also emphasised change and how human interaction with nature could be both positive and negative. References: Alex A., Dazzling 1920s wedding dresses: epitome of glamour, but in modern silhouette (2017), < https://www.thevintagenews.com/2017/12/02/1920s-wedding-dresses/>. |