Metadata
WORK ID: YFA 2197 (Master Record)
Title | Year | Date |
ON THE TRAIL OF THE FALL | 1940 | 1940-01-01 |
Details
Original Format: Standard 8 Colour: Black & White / Colour Sound: Silent Duration: 17 mins 26 secs Credits: Film made by Kenneth Raynor Subject: Rural Life Family Life Agriculture |
Summary A film by a local amateur filmmaker, Kenneth Raynor, this film features some aspects of village life in Swallownest, South Yorkshire, as autumn arrives. |
Description
A film by a local amateur filmmaker, Kenneth Raynor, this film features some aspects of village life in Swallownest, South Yorkshire, as autumn arrives.
Title On The Trail Of The Fall
The film opens with a poem, “When the summer glory that was summer fades, – imperceptivity at first and then quickly, think always of what past tradition remains – war-time or peace. Because of steam and what covers travel Harvest in England or anywhere in the Northern Hemisphere has lost some of a vital...
A film by a local amateur filmmaker, Kenneth Raynor, this film features some aspects of village life in Swallownest, South Yorkshire, as autumn arrives.
Title On The Trail Of The Fall
The film opens with a poem, “When the summer glory that was summer fades, – imperceptivity at first and then quickly, think always of what past tradition remains – war-time or peace. Because of steam and what covers travel Harvest in England or anywhere in the Northern Hemisphere has lost some of a vital meaning, and importance because there is the hope, and promise of the Southern Harvest . . But Harvest remains still in England . . ”
This is followed by fields with hay bales, and leaves fallen onto the ground. A boy, standing on top of a ladder, picks apples from a tree which he brings down in baskets. He eats one with a small girl. Around the farm, there is a horse-drawn cart stacked with hay, and chickens wander around. An old harvester cuts the grain which is then stacked into high piles.
The film moves to the village where there is a school and shops, Hiltons selling crafts and shoes. A number 28 bus pulls up for Wickersley.
Intertitle – The bread in the shop window . . . reminds me! The window-less green grocers reminds us of the food from the Earth!
In the shop window there is bread, and a woman buys some groceries. Three boys paddle in a pool where people are walk around the park and sit among the trees. A woman and a small girl stand on the corner of Middle Lane. Next is Rotherham Minster and the city centre full of buses and shoppers.
Intertitle – Perhaps this is a case of Bread for Energy!
In a school playground girls perform exercises and games in lines. Washing hangs out to dry in the sun and the wind. There is more harvesting, and some boys gather bales and put them together.
Intertitle – Meanwhile while strong men work and sweat . . . May we introduce some never-sweats?
Some men and women come out of houses and pose for the camera. One man walks onto the main road through the village.
Intertitle – You’re not really reading Olive, now are you?
A woman in glasses stands reading while a group of people sit in deckchairs in a field.
Intertitle – Stay Put!! Stay Put!! Stay Put!! Stay Put!! Stay Put!! . . . . while Mr J W Duckham ASC also Miss Peggy Cagen of unknown qualifications . . takes your photos . . . .
A man and a woman stand facing the camera and take photos.
Intertitle – that’ll be better than yours – with the cine camera!
The man wags his finger at the cine camera and winds on his film.
Back at the school playground, girls skip around the schoolyard. The cine camera is perched on the handle bars of a bicycle filming from the front wheel as rides along. Then the bicycle is parked near a field.
Intertitle – A sunny afternoon in Beighton
A van with “Crawfords” written on the back passes down the main road of the village. Children play in a side street.
Intertitle – . . . darkness into evening as the pigeons wheel . . as the clouds gather by the church tower . . . .
Some swallows fly overhead, and there are scenes of the village church.
Intertitle – In the same evening, the thresher arrives and goes up to sleep in the farm-yard for a hard tomorrow . . . .
A large tractor pulls a wagon of hay, and a bus, number 15 for Sheffield, arrives in the village.
Intertitle – Now fades the glimmering landscape on the slight; And all the air a solemn stillness holds:
There are more views of fields and with an old plough and a harvester being pulled by a tractor. Farm labourers fork the harvest from large stacks into a steam thresher whilst the grain is put into sacks and the hay carried off to be put into large stacks.
Intertitle – Without comment . . . .
Some pigs lay basking in a field, followed by returning to the school playground where girls play a game with a ball. Outside women stand with prams.
Intertitle – Symbolic in utter expression. Today, or a century ago . . . Aston Church throu’ a frame of age-old form. Both unchanged . . .
An old plough stands abandoned in a field, and children and adults walk through the churchyard. Some of them sit on a bench and look at the camera.
Intertitle – At the farm they’re on another job-chaffing.
Farm labourers sweep up the remains of the hay and put it into sacks.
Intertitle – By afternoon gone is the strong brilliance of the morning. The woodside is dull and colourless save where a branch touches a section of cloud against the setting sun. . . . .
The film shows the sky, the wind blowing in the trees, and the ploughed fields.
Intertitle – Some flowers are left. Much leaf has fallen – most brown with green touching gold. Nature always presents what seems to be anomaly . . The end of the year, is the time of colour.
(Colour) In a park there are pink flowers and fallen leaves. A woman buys an ice cream wafer from a vendor selling ice cream from a cart, with ‘Ebory’s’ written on the side.
Intertitle – A wandering farewell to Swallownest in an open exhibit –
There are images of the school, cows, a horse, men walking, and a Belisha beacon.
Intertitle – Our old familiar farm, on top of the ridge . . . The earth turned moist and brown and waiting. The autumn proper here again.
More images of fields, cows, pigs and piglets, and a group of elderly men stand on a road by a field.
Intertitle – Kiddies must be got rid of when housework is on the air
A small boy stands by a blanket hanging out to dry in a garden, and back in the school playground, girls stand in a large circle and play another kind of game with a ball. This is followed by more shots of the surrounding countryside. Two cart horses pull a plough, and hay bales are made up by men and boys in a field.
The film closes with an and title – The End, 8mm documentary, On the Trail of the Fall No. 1 F K Raynor
Context
On The Trail Of The Fall is one of about 18 films made between 1940 and 1947 by Kenneth Raynor - Kenneth had earlier changed the spelling from its original 'Rayner'. Most of the films are of life in and around the village of Swallownest, 8 miles east of Sheffield. Kenneth was born in Swallownest and brought up there by his parents in a terraced house in School Street. His father Gerald was the caretaker of the local school where his mother, Maud, was a cleaner - the school...
On The Trail Of The Fall is one of about 18 films made between 1940 and 1947 by Kenneth Raynor - Kenneth had earlier changed the spelling from its original 'Rayner'. Most of the films are of life in and around the village of Swallownest, 8 miles east of Sheffield. Kenneth was born in Swallownest and brought up there by his parents in a terraced house in School Street. His father Gerald was the caretaker of the local school where his mother, Maud, was a cleaner - the school features regularly in the films, and Kenneth too often makes an appearance (fuzzy dark hair and glasses; he can be seen sat on a bench). Kenneth trained as a chemist and was employed in a steelworks in Sheffield during the war, being registered as a conscientious objector. For more on Kenneth see the Context for Rays (1944).
Like many of Kenneth Raynor’s film, including Rays, this film shows his love of nature and keen photographic sensibility. There can be little doubt that had Kenneth made films later on with a better cine camera, he would have produced very fine nature films. As it is, despite the limitations in quality, his films convey beautifully country and village life during the Second World War – not that there is much evidence of the war in any of his films. Perhaps the only evidence of the war in the film, and this applies to some other agricultural films made during the war, is that those working on the harvest are either quite old or boys: younger men presumably having signed up for the armed forces – men aged 20 to 23 were required to register by 21st October 1939, gradually working its way up to those in their 40s by June 1941. There is also little evidence of food shortage at this early stage of the war; or of bombing, although Rotherham was hit on the nights of 19 August 1940 – aimed at the Templeborough Steel Works but hitting instead the British Oxygen factory on Armer Street, killing two people – and 29 August 1940, causing extensive damage in the Holmes area. In fact the film that has most in common with this one on YFA Online was made just after the war ended about seventy miles to the north, Sheriff Hutton Agricultural Scenes (1946-1954). Here too we see aging farm labourers (albeit helped out by prisoners of war), and aged farm machinery, including a very similar thresher. In a couple of years’ time there may well have been members of the Women’s Land Army working in these fields – see the Context for Sheffield at War (1941). Like many villages within commuting distance of cities, Swallownest has undergone extensive new housing development since the war. Yet one major place featured in the film hasn’t changed that much: the late Victorian Swallownest School. At that time the school was in fact two schools, a junior and a senior (before Aston School was built), and of course it is the older girls that can be seen exercising and playing in the school yard. This part of the film is evidence of just how important exercise in schools was taken to be at this time. The emphasis on exercise and play in schools was carried over into the post-war period, and can be seen in other films on YFA Online: for example, Joseph Rowntree Senior School – New Earswick (1947) and Free To Grow Up (1956). It also shows how children played group games in the playground, something in much less evidence today. A Report in 2009 by Robinsons Fruit Shoot, called ‘Big Mothered Britain’, surveyed 4,000 parents and found that only 24% girls now play with skipping ropes, compared with 94% of their mothers, who remember skipping to rhymes and songs when they were at school – see the excellent Woodlands Junior School website for information on playground games, including skipping rhymes. In fact concern has been raised that commercial and other pressures are turning children into adults (and not particularly well balanced ones) at far too early an age – see Kate Townshend and Rowan Williams, References. Unfortunately, Kenneth Raynor died in 1947, aged just 29, of meningitis. The focus on children and young people in the films he made whist a world war was raging is unlikely to have been without significance for Kenneth. It is a great shame that he did not live to continue filming them, and Swallownest village life, in the decades to come. References Rowan Williams, Lost Icons: Reflections on Cultural Bereavement, T&T Clark, Edinburgh, 2000. Rotherham The Unofficial Website Woodlands Junior School, Playground Games for Kids Kate Townshend, Gender in the playground Skipping scuppered! The death of playground games: MailOnline, 28 July 2009 |