Metadata
WORK ID: YFA 4089 (Master Record)
Title | Year | Date |
GOOLE SILENT MOVIE PROJECT: THE LOST PRINCESS | 2007 | 2007-01-01 |
Details
Original Format: DVD Colour: Black & White / Colour Sound: Sound Duration: 7 mins 50 secs Credits: Goole Town Council and Duchy Parade Films Present Cast And Crew of The Lost Princess Written by Rebecca Stothert and Emma Gill Directed by Rebecca Stothert John Andrews - Inspector Rebecca Ellerton - Anastasia Luke Ericson - The Butler Davic Kendra - Sea Captain Beth Horncastle - Cleaner Martin Ward - Cleaner Kirk Argum - Camera Samantha Hind - Animation Title Sequence Ship Painting: John Andrews and Steven Anthony Kirk Argum - Policeman Emily Britton - Extra and Props David Bunting - Policeman Robyn Calswell - Magistrate and Camera Amy Dawson - Extra and Crew Emma Gill - Extra Hannah Little Fair - Hotel Manager Peter M Kershaw - The Judge Jonny Pinks - Extra and Camera Taryn Preston - Magistrate and Extra Sophie Taylor - Hotel Guest and Extra Extras: Sarah Abdenadher Hayley Adams John Bristow Nicola Dixon Madeleine Frost Jonathan Rouse Jo Scurll Sally Shingles Janet Tierney Hannah Turner Derrick Turville Teresa Wallis Locations: Fir Tree Equestrian Centre, Moss, Doncaster Gato Theatre, Goole Dunhill Road Community Centre, Goole Sewerby Hall And Gardens Goole Magistrate Court East Riding Court Service Goole Docks Steve Swallow And His Boat Waterways Museum Goole Marina Hook Road Cemetery, Goole Thanks To: Goole Museum Peter Appleyard and Janet Tierney Vermuyden School Goole Gofar Community Transport Goole Development Trust Goole Community Store Goole Community Warehouse Fletcher's Undertakers Janice Smith and staff at Sowerby Hall Clare Hunt, Rachel Walker and all staff at Waterways Museum, Goole Bill Lawrence National Media Museum, Bradford Sam Clark, Kodak Jenny Deacon, National Lottery Fund For Goole Town Council Charlie Studdy Brian Robertson Helen Cotton Steve Levoguer Leanne Healy Nancy Tapping Local History Advisor Brian Rust Oral History and Script Development Paul Arrowsmith Genre Advisor Paul Vates Yorkshire Film Archive - Alex Southern Apprentice Film-Makers Ciaran Cross - Production and Graphics Joanne Eibin - Production Duncan Laing - Production Management Debbie Harman - Animation and Graphics Make-Up Charlotte Ockerby Hannah Ingleby Costume Emma Renhard Hayley Adams Editing Shaun Hepple Darren Everitt Susan Dixon Post Production My Bear Production Music Recorded at Open Sky Studio Dave Bainbridge Composer and Piano Claire Mckenzie Clarinet Alex Mckee Violin Jonathan Penny Viola Supported by: No.w.here Film Lab North, incorporating The Finishing School National Media Museum Subject: ARTS / CULTURE EARLY CINEMA EDUCATION ENTERTAINMENT / LEISURE |
Summary The Lost Princess is a fictional film based on the Russian Princess Anastasia and the circumstances surrounding her disappearance and death. In the film she has escaped from Russia to Goole where she is subsequently murdered. Co-ordinated by Goole Town Council, the project involved a group of young people between the ages of 13 and 20 who researche ... |
Description
The Lost Princess is a fictional film based on the Russian Princess Anastasia and the circumstances surrounding her disappearance and death. In the film she has escaped from Russia to Goole where she is subsequently murdered. Co-ordinated by Goole Town Council, the project involved a group of young people between the ages of 13 and 20 who researched, wrote, directed, filmed, animated, acted in and edited and performed an original score for the film. The film uses animation, intertitles, and...
The Lost Princess is a fictional film based on the Russian Princess Anastasia and the circumstances surrounding her disappearance and death. In the film she has escaped from Russia to Goole where she is subsequently murdered. Co-ordinated by Goole Town Council, the project involved a group of young people between the ages of 13 and 20 who researched, wrote, directed, filmed, animated, acted in and edited and performed an original score for the film. The film uses animation, intertitles, and visual techniques from the Silent Era of moviemaking in its modern production. The original footage was shot on super 8mm film, and the final film was edited using contemporary post production techniques.
Title: 'The Lost Princess' '1918 the Russian Empire'
Viewed through an Iris (an image shown in only one small round area of the screen), a young woman, the Princess, makes her way to a carriage. She exclaims:
Intertitle: 'Take me to the docks'
The driver doffs his cap and sets off.
Intertitle: 'The journey to the sea'
There is a map, on which, the journey to England can be traced.
Intertitle: 'After a long crossing the ship arrives in Goole'
An animation sequence shows a ship crossing the sea. A family arrives with luggage and is greeted by others. The ship is in dock. A man with an upturned collar knocks on a door, shouting out:
Intertitle: 'Butler'
The young woman opens the door and states:
Intertitle: 'Just over there Butler'
The man enters and grabs the young woman from behind. She tries to fend him off with her umbrella, but he pushes her onto a chair where she manages to take his watch as he stabs her to death. The man makes his getaway, passing through the unsuspecting people outside.
Intertitle: 'The cleaners check the cabin'
Two cleaners discover the body and rush outside to tell those gathered outside, shouting:
Intertitle: 'Inspector, Inspector'
The Inspector looks at the body and takes the watch which has been engraved with the initials 'H.W'. A police sign is shown and then a police, or court, room, in which the Inspector asks the shipping crew gathered there:
Intertitle: 'Does anyone recognise this watch?'
The crew passes around the watch, and the Captain recognises it, declaring:
Intertitle: 'Howard, its Howard's the butler'
The Inspector departs with his new information. At the home of the Royal Family, the family is sitting having tea. Two policemen arrive, exclaiming:
Intertitle: 'Arrest him!'
They point to the butler and chase him around the room before eventually catching and handcuffing him.
Intertitle: 'The case solved, the inspector relaxes'
The inspector sits reading a newspaper, the Selby Express and Howdenshire Gazette', of Friday March 17th. He comes across an article on 'The Lost Russian Princess.'
In the courtroom those present stand for the arrival of the judge, and afterwards, the court proceedings can begin. He points at the accused and asks:
Intertitle: 'Did you not kill the unknown woman found two days previous to this trial?'
As the accused has a flashback to the killing, the Inspector arrives and exclaims, pointing at the accused:
Intertitle: 'That man killed Princess Anastasia of Russia'
The people in the courtroom become agitated and talk amongst themselves as the inspector hands a copy of the newspaper article to the judge. The judge declares:
Intertitle: 'Guilty! And sentenced to death.'
The accused is handcuffed and led away. The Princess' coffin is carried through a church cemetery and followed by a group of mourners. The Inspector takes off his hat as the procession passes him.
End titles: 'Princess Anastasia was a real character.
She was the great grand daughter of Queen Victoria. Her mother once visited Harrogate. It is thought that she escaped the Russian Revolution, and the genocide of the whole of her family by getting on a ship, perhaps to Goole. She was never seen again.'
End Credits:
Goole Town Council and Duchy Parade Films Present
Cast And Crew of The Lost Princess
Written by Rebecca Stothert and Emma Gill
Directed by Rebecca Stothert
John Andrews - Inspector
Rebecca Ellerton - Anastasia
Luke Ericson - The Butler
Davic Kendra - Sea Captain
Beth Horncastle - Cleaner
Martin Ward - Cleaner
Kirk Argum - Camera
Samantha Hind - Animation Title Sequence
Ship Painting: John Andrews and Steven Anthony
Kirk Argum - Policeman
Emily Britton - Extra and Props
David Bunting - Policeman
Robyn Calswell - Magistrate and Camera
Amy Dawson - Extra and Crew
Emma Gill - Extra
Hannah Little Fair - Hotel Manager
Peter M Kershaw - The Judge
Jonny Pinks - Extra and Camera
Taryn Preston - Magistrate and Extra
Sophie Taylor - Hotel Guest and Extra
Extras:
Sarah Abdenadher
Hayley Adams
John Bristow
Nicola Dixon
Madeleine Frost
Jonathan Rouse
Jo Scurll
Sally Shingles
Janet Tierney
Hannah Turner
Derrick Turville
Teresa Wallis
Locations:
Fir Tree Equestrian Centre, Moss, Doncaster
Gato Theatre, Goole
Dunhill Road Community Centre, Goole
Sewerby Hall And Gardens
Goole Magistrate Court
East Riding Court Service
Goole Docks
Steve Swallow And His Boat
Waterways Museum
Goole Marina
Hook Road Cemetery, Goole
Thanks To:
Goole Museum
Peter Appleyard and Janet Tierney
Vermuyden School
Goole Gofar Community Transport
Goole Development Trust
Goole Community Store
Goole Community Warehouse
Fletcher's Undertakers
Janice Smith and staff at Sowerby Hall
Clare Hunt, Rachel Walker and all staff at Waterways Museum, Goole
Bill Lawrence
National Media Museum, Bradford
Sam Clark, Kodak
Jenny Deacon, National Lottery Fund
For Goole Town Council
Charlie Studdy
Brian Robertson
Helen Cotton
Steve Levoguer
Leanne Healy
Nancy Tapping
Local History Advisor
Brian Rust
Oral History and Script Development Paul Arrowsmith
Genre Advisor
Paul Vates
Yorkshire Film Archive - Alex Southern
Apprentice Film-Makers
Ciaran Cross - Production and Graphics
Joanne Eibin - Production
Duncan Laing - Production Management
Debbie Harman - Animation and Graphics
Make-Up
Charlotte Ockerby
Hannah Ingleby
Costume
Emma Renhard
Hayley Adams
Editing
Shaun Hepple
Darren Everitt
Susan Dixon
Post Production
My Bear Production
Music
Recorded at Open Sky Studio
Dave Bainbridge Composer and Piano
Claire Mckenzie Clarinet
Alex Mckee Violin
Jonathan Penny Viola
Supported by:
No.w.here
Film Lab North, incorporating The Finishing School
National Media Museum
Context
This is one of two films on YFA Online made as part of the Goole Silent Movie Project. The project started in October 2006, with local young people between the ages of 13 and 20, co-ordinated by Goole Town Council. With the help of outside professionals, all the writing, acting, directing, filming, animation, editing, and research for the films, was undertaken by this committed group of young people. For more on the origins and work of the project see the Context for the first film, Dr A....
This is one of two films on YFA Online made as part of the Goole Silent Movie Project. The project started in October 2006, with local young people between the ages of 13 and 20, co-ordinated by Goole Town Council. With the help of outside professionals, all the writing, acting, directing, filming, animation, editing, and research for the films, was undertaken by this committed group of young people. For more on the origins and work of the project see the Context for the first film, Dr A. D. Holmes. Whilst the other film is based on a real person from Goole, Dr Home, "The Lost Princess" is a fictional story that nevertheless has its roots in Goole’s heritage as an international port – one where many refugees have arrived.
The film is based on the life of a real person, Anastasia Nicholaevna Romanov, the youngest daughter of the Tsar Nicholas II and Russian Royal Romanov family. The Romanov family were arrested and detained at the Alenser Palace after the February Revolution, in 1917, that brought in a Provisional Government under Alexander Kerensky. For safe keeping they were moved to Tobolsk in Siberia, and then again to Ipatiev House at Ekaterinburg (or Yekaterinburg), in the Ural Mountains, when the Bolsheviks came to power in October 1917. It was here that the Russian Emperor and Empress and their five children, and four servants, were executed on the night of July 16-17, 1918. A similar fate befell more members of the Royal family the following day. An account of the execution is given by the head of the Ekaterinburg Cheka, Yurovskii, who carried out the execution, in Daly and Trofimov (References, pp 130-136), who claim that the account is considered by leading scholars to be accurate. This makes it clear that there were no survivors, and describes how the three daughters wore bodices studded with diamonds and other precious stones, which acted as protection against the bullets. Two of the corpses were burned; the rest had sulphuric acid poured over them to foil identification. Anastasia was seventeen. Very soon though rumours spread that Anastasia had escaped, and imposters came forward claiming to be her; the most famous being Anna Anderson. England would have been a favoured place to flee to, as so many émigrés over the years have; especially as Anastasia spoke fluent English. The rumours persisted until final proof of her death came after the remains of Anastasia were unearthed in 1991. Later the charred remains of a young boy and a young woman were found near Ekaterinburg in August 2007. Forensic tests, and later DNA identification, confirmed that no member of the family escaped. The Romanov family have come to symbolise the injustices of terror for many, and it is not hard to see why a story of a young Princess escaping, just when silent film was reaching its apogee, was chosen to base a fictional film on. A much more glossy film of the Princess, called Anastasia, was made in 1997. Certainly a great deal has been written about the Romanov family and their fate. Even more has been written about the Russian Revolution. Treading a path through all of the many different accounts, often having widely differing sympathies, is not easy. In 1918 a civil war was raging in Russia, which was to continue for another three years. Those who opposed the Revolution formed the White Army, aided by thirteen outside countries. At the time of the execution the Czechoslovakian army, on the side of the White Army, were approaching. Fearful that Tsar Nicholas II would be freed, and become a symbol for resistance, the Bolsheviks issued the order to have his family killed. Mass terror was openly being carried out on both sides, with each side justifying this on the grounds that there was no alternative if their vision for the future for Russia was to prevail. Huge numbers of innocent people were killed as a result. Some of it, such as the White anti-Semitic pogroms, was a carry over of what had gone before. With Stalin’s assumption of power after the death of Lenin in 1924, this was to continue, resulting in millions of deaths. All of this may seem a long way from a story made up by young people in Goole. But today asylum seekers still come to Goole as they do to many other places, often escaping violence not unlike that of Russia in civil war. However, unless they are especially famous, their stories seldom receive much attention, let alone sympathy. In fact, ironically, most of those fleeing Russia – and other Easter European countries – up until that time, would have been Jews escaping the persecution that took place under her father and grandfather. But Goole has strong historical associations with people from other countries. It has owed much to trade with Denmark, and had important ties with other countries, such as Poland: seamen from off the Russian ships bringing timber would play football with local dockers. So it is to be hoped that Goole remains a place where people from all over can come and seek refuge from persecution. References Jonathan Daly and Leonid Trofimov (editors), Russia in War and Revolution, 1914-1922: A Documentary History, Hackett, Indianapolis, 2009. Rex Wade, The Bolshevik Revolution and Russian Civil War, Greenwood Press, London, 2001. Robert Winder, Bloody Foreigners: the story of immigration to Britain, Little, Brown, 2004. Anastasia, the lost Romanov Princess The Associated Press, DNA Tests Confirm the Deaths of the Last Missing Romanovs Further Information Helen Rappaport, Ekateriburg: The Last Days of the Romanovs, Windmill Books, 2009 Frances Welch, A Romanov fantasy: life at the court of Anna Anderson, Short, 2007. |