Metadata
WORK ID: YFA 4605 (Master Record)
Title | Year | Date |
WALLACE ARNOLD-HOLIDAY FROM HOME | c.1957 | 1954-01-01 |
Details
Original Format: 16mm Colour: Colour Sound: Sound Duration: 15 mins 35 secs Credits: Written and directed by William Furness M.A.A, M.I.P.A. Photographed by C.H.Wood, F.I.B.P, A.R.P.S and F.G.Dewhirst. Commentary spoken by Mary Manson Harassed housewife played by Dora Rushworth Kitchen scene staged with the co-operation of Brown Murry (?) & Co. Ltd and (illegible words) Ltd. Produced by C.H.Wood Subject: COUNTRYSIDE / LANDSCAPES ENTERTAINMENT / LEISURE SEASIDE TRAVEL URBAN LIFE WORKING LIFE |
Summary This film is part of the C.H.Wood collection and comprises a promotional film made for Wallace Arnold Tours. This film features a housewife who, when overwhelmed with her tasks and work at home, treats herself to a daytrip to Scarborough with two of her friends. The film features well-known sites in both York and Scarborough. |
Description
This film is part of the C.H.Wood collection and comprises a promotional film made for Wallace Arnold Tours. This film features a housewife who, when overwhelmed with her tasks and work at home, treats herself to a daytrip to Scarborough with two of her friends. The film features well-known sites in both York and Scarborough.
Title-Wallace Arnold Tours Ltd. Present
Title-Holiday from home
Title-Written and directed by William Furness M.A.A, M.I.P.A.
Title-Photographed by C.H. Wood,...
This film is part of the C.H.Wood collection and comprises a promotional film made for Wallace Arnold Tours. This film features a housewife who, when overwhelmed with her tasks and work at home, treats herself to a daytrip to Scarborough with two of her friends. The film features well-known sites in both York and Scarborough.
Title-Wallace Arnold Tours Ltd. Present
Title-Holiday from home
Title-Written and directed by William Furness M.A.A, M.I.P.A.
Title-Photographed by C.H. Wood, F.I.B.P, A.R.P.S and F.G. Dewhirst.
Title-Commentary spoken by Mary Manson
Title-Harassed housewife played by Dora Rushworth
Title-Kitchen scene staged with the co-operation of Brown Murry (?) & Co. Ltd and (illegible words) Ltd.
Title-Produced by C.H. Wood
The film opens in a kitchen where a woman is drying dishes at the sink and putting them on a tray. There is a baby sitting in a high chair with his hands in a dish of chocolate sauce. The narrator says that it is said that a woman's place is in the home, as there she is shielded from the stresses of the outside world and she can raise children, which is her ultimate goal. The woman sees that the child has poured chocolate sauce all over his head and puts down the tray in order to clean him up. The tray falls off the table and the dishes smash and then the pot of milk on the stove boils over. She yells and runs to take it off the cooker and while she does that her husband comes into the kitchen and starts working on a dirty, oily piece of machinery and ruins her white towels. She runs into the sitting room crying and sits down to watch television and to have a smoke. The television is off air and she does not like the taste of the cigarette; she picks up a Wallace Arnold brochure that is on the side table.
The following section starts off with shots of posters advertising various Wallace Arnold destinations including Morecambe, Skegness and Southport. The narrator says that every month Wallace Arnold bring out a free booklet listing all of the day and half day excursions that they offer; they have offices in Leeds and Bradford where you can book your seats. The harassed woman, Joan, visits one of the offices and books a seat on a coach trip to Scarborough.
On the day of the trip Joan leaves the house and waves at her mother who is minding her baby for her. She waits at the pickup point where the coach collects Joan and her two friends. The coach drives away from the camera along a main road.
The narrator says that the first stop is York where there are shots of the city walls, the Castle Museum and the Minster. The narrator talks a bit about each of the sites as the coach drives around. The coach makes a stop at a caf? where the passengers can get coffee or use the bathrooms.
The coach drives along a country road and stops at various small villages including Thornton-le-Dale where there are shots of the pretty village. The coach drives on through more villages and the narrator informs us that Wallace Arnold coaches really get you to the destination; they drive right into their own coaches stations.
The next shots are taken from the top of the hill looking down onto Scarborough bay. The narrator describes the many sights and amenities in the town and the camera pans along taking them all in. Down in the harbour are many small sailing boats, and according to the narrator you can take a cruise on the water in one of the steam boats. Joan and her friends board the boat and the boat sails out of and around the harbour.
On the north shore, many people walk along the beach front and sit on chairs in the sand. A group of people run around playing ball and messing in the sand. A couple run into the sea and splash around. There are shots of children on donkeys and two men playing pitch and putt. The narrator says to be careful of naughty cuss words like `damn, dash and blow'! There are also shots of amusement rides.
The narrator says that holidays can be paid for with a saving stamp book and that the stamps can be exchanged for trips. There are children rowing small boats and peddling on little boats on the lake in front of the spectator stands that are used for open air concerts during the summer.
At the bathing pool men, women and children swim in the water or sit on the side watching. A woman stands on the diving board and attempts to dive off the board on three occasions but always falters; she is pushed in by the woman behind her. Following this is a shot of the water slide ride and a point of view shot from the boat as it slides down the ramp and into the water.
Joan and her friend walk around the castle on the hill overlooking the bay; the voice over says that it neatly divides Scarborough into two bays. People sunbath on the grass overlooking Scarborough and there are shots of the beaches and sea far down below.
Title-The End.
Title-A W.M. Furnace and C.H. Wood Production
Context
This is one of a very large collection of films made by film production company C.H. Wood of Bradford. The collection consists of approximately 2500 film and video elements including titles dating back to 1915. Charles Wood senior was a notable gas engineer, gaining an OBE in the 1880s. Rather remarkably, he designed Moscow’s gas system after the 1917 revolution. His son, Charles Harold Wood, set up the company of C.H. Wood’s in the 1920s. Charles was employed by both Pathé and Gaumont as...
This is one of a very large collection of films made by film production company C.H. Wood of Bradford. The collection consists of approximately 2500 film and video elements including titles dating back to 1915. Charles Wood senior was a notable gas engineer, gaining an OBE in the 1880s. Rather remarkably, he designed Moscow’s gas system after the 1917 revolution. His son, Charles Harold Wood, set up the company of C.H. Wood’s in the 1920s. Charles was employed by both Pathé and Gaumont as a cameraman for the northern region. C.H. Wood specialised in aerial photography and filmmaking. Charles used the expertise he had developed through his aerial photography to good effect during the Second World War when he pioneered infra-red lenses, used by the Dambusters, and for which he too earned an OBE. His sons, David and Malcolm Wood, took over the company, which was for a time known as ‘Wood Visual Communications.’ The company closed down in 2002. See the Context for The Magnet Cup 1960 for more on C.H. Wood.
Twenty years earlier than this film C.H. Wood made another film sponsored by Wallace Arnold, Wallace Arnold: Nice People to go with (1977). There is also a similar film made by Mansell Beard, Where and What to See in the Yorkshire Dales (1972). The film has an interesting beginning with the titles written in the sand and then washed away, perhaps inspired by the classic 1930 film Her Man, made before the so-called ‘Hays Code’ Hollywood censorship rules which cut out anything considered ‘immoral’. It then proceeds with a comic send up of the idea that ‘a woman's place is in the home’, with the housewife heading off for an outing without her husband (although one woman still has to ask her husband for money!). It is often claimed that the so-called “second wave feminism” was sparked by the American writer and activist Betty Friedan when she published The Feminine Mystique in 1963. Yet before then feminist academics Alva Myrdal and Viola Klein were exploring the position of women after the end of the war, as in Women's Two Roles: Home and Work, published in 1956, calling for better child care and more domesticated husbands. The female commentary in this film, however, is more reminiscent of Maria Bird and Annette Mills, the voices behind such classic BBC children’s programmes of the period as Muffin the Mule and The Woodentops. The day trip out doesn’t seem to have got much of a look-in among the vast body of academic writing about leisure. The rather meagre and uninformative entry in The Encyclopedia of Leisure and Outdoor Recreation seems more concerned with its market aspects than its social or cultural import (a characteristic of most of this literature). Of course, famously, it was the coming of the railways that led to the huge growth in days out to the seaside for working class families. It was Thomas Cook who saw the great potential of the day out, or excursion, starting his Cook’s tours to the seaside in 1845. By 1848 there were 100 million railway passengers. Hobsbawn notes that by 1870 there were 170,000 rentiers (ie those not needing to work for a living) taking the train to the seaside, a good many single women (cited in Fred Inglis, p. 46). The Bank Holiday Act of 1871 greatly increased these day excursions. The day out by coach can be traced back to before the First World War, when motor charabancs were used mainly for day trips, as they were not comfortable enough for longer journeys, and were largely replaced by motor buses in the 1920s. Day trips could make up for those who couldn’t afford to have a holiday: not even having to pay for accommodation. Thus, in 1949 a nationwide Social Survey found that almost half the population had not had a holiday away from home – despite the Holidays with Pay Act of the previous year, which gave every employed adult a fortnight off with pay. Yet half of those who hadn’t had a holiday did have a day trip out. Most destinations were seaside resorts. By the mid-1950s coach travel was as equally popular as travelling by car or train: they were convenient in being picked up, and cheaper. Wallace Arnold was one of the UK's largest holiday motor coach tour operators. It was formed in Leeds in 1912, named after its founders Wallace Cunningham and Arnold Crowe. In his book on Wallace Arnold, Roger Davies described them as being early excursion pioneers, operating out of Yorkshire but becoming a national enterprise. By 1980 Wallace Arnold operated 290 coaches from its headquarters in Leeds. In 2005 they merged with Shearings to become WA Shearings. In 2007 the Wallace Arnold name was dropped and now the company is known as Shearings Holidays. Those who take an interest in coaches of the period, such as the one that appears in this film, will know that the variation in bodywork was due to the modifications carried out by their in-house bodybuilder Wilks and Meade. Scarborough has long been a major resort for the day tripper, going back to the early days of Thomas Cook. David Kynaston describes some of the attractions for the annual 2 million visitors to Scarborough at this time (three-quarters of whom coming from Yorkshire): “Corrigan’s Fair, the Spa’s dance halls, cafes and bandstand, Tom Perry’s Aquatomics in the huge swimming pool at the far end of the South Bay, and the twice weekly packed terraces of the Open Air Theatre, with some 8,000 watching shows like The Desert Song.” (p. 216) By the late 1950s though it was beginning to experience competition from the package holiday, to the somewhat warmer climes of Spain in particular. Hence it sought to promote itself, as in the Corporation of Scarborough commissioned film Having A Wonderful Time, made soon after this film in 1960. The Context for this film has more on Scarborough as a holidaying destination. This film certainly captures the freshness of going to the seaside in the decades immediately after the end of the Second World War; before, some believe, many become somewhat tatty British filmmaker Harold Baims, born in Leeds, also captured some of this period atmosphere in his Britain on Film, made up of a compendium of short films, mainly from the Rank Organisation ‘Look At Life’ series shown in Odeon and Gaunt cinemas from 1959 to 1969, and recently aired in BBC – another is Butlins Skegness (1957). Now, according to Natural England, only about one per cent of day trips involve ‘visiting the beach, sunbathing or paddling in the sea’. This compares to 18 per cent involving ‘walking, hill walking or rambling’. In 2011, Scarborough, along with five other coastal resorts, was among the ten local authorities with the highest rate of insolvency per head of population. Stephen Page and Joanne Connell define leisure as the time, activities and experience that are derived from non-working, and characterised by a certain freedom. Whatever the drawbacks many might see in the organised coach day trip, especially for the more adventurous younger generation, the coach excursion did, and still does, allow for a relatively hassle free break. It must have been particularly liberating for women to go out on their own with just their handbag, and with other women friends, as the “harassed housewife” does in this film. What is more, they gave free reign to all the British eccentricities affectionately sent up by the Beatles in their 1967 film, Magical Mystery Tour. References Stewart Brown, Holidays by Coach: Illustrated History of Wallace Arnold, Past & Present Publishing, 2009. Stephen J. Page and Joanne Connell, Leisure: An Introduction, Pearson Education, 2010 Roger Davies & Stephen Barber, Wallace Arnold - Glory Days, Ian Allan, 2007 Roger Davis & Stephen Barber, Wallace Arnold Days, Ian Allan Publishing, 2010. Fred Inglis, The delicious history of the holiday, Routledge, 2000. John Jenkins and John Pigram (editors),The Encyclopedia of Leisure and Outdoor Recreation, Routledge, 2003. David Kynaston, Family Britain: 1951-57, Bloomsbury, London, 2009. Vivianne Ventura- Dias Fuente, ‘Notes on the Care and the Dynamics of Households’: IAFFE 2011 (International Association for Feminist Economics) John K. Walton, The British Seaside: Holidays and Resorts in the Twentieth Century, Manchester University Press, 2000. Old Bus Photos Britain On Film, Televisual Mystery Tour: History Dan Atkinson, ‘We're all going bust beside the seaside: The decline of British resorts from havens of fun to capitals of bankruptcy.’ Tom Geoghegan, ‘Why we didn't like to be beside the sea’ |